
Faculty Showcase, Brams Horn Trio
Celebrate our accomplished music professors as they perform compositions by the German Romantic composer Johannes Brahms. The trio includes Amr Abulnaga, horn; Elena Grechenko, piano; and Yasser El Serafi, violin.
“A picture is worth a thousand words,” is an oft-repeated adage that shines through the work of Haidy Helmy ‘20. The young artist is harnessing the power of illustration to raise awareness and foster a dialogue about mental health issues in an intuitive and engaging format, avoiding the uneasiness that is often associated with such subjects. Her comic book, Khamsa w Rage’ (خمسة و راجع), is infused with Helmy’s striking visual style as well as critical reflections on mental health.
“I wanted to help create something that will make it easier for people to give [mental health] their attention, without the discomfort of discussing mental health.” She saw illustration and animation as a powerful medium to capture interest, drawing people to engage – even unknowingly – with sensitive mental health conversations that, while needed, are often hushed.
The narrative follows a protagonist with depression, who navigates through a mythical land with an invented language, culture, and creatures. Readers follow along on the journey in search of purpose, love, and acceptance, including confrontations with pervasive misconceptions about depression and lessons about detecting the signs of depression.
Helmy discovered her interest in mental health and depression during her second semester at AUC, in Introduction to Psychology. “It really opened my eyes — being introduced to this other world I never truly knew anything about,” she reflected.
A graphic design major, Helmy had the chance to enroll in this course outside of her area of specialization because of AUC’s core curriculum requirements. Her academic exposure to mental health was complemented by the array of well-being-oriented services on campus, now formalized under the university’s Mental Health Well-being Initiative. Helmy described, “During my time at AUC, seeing all the initiatives to help students all over the campus…it really shaped my perspective on this topic.” Helmy credits these experiences both in and outside of the classroom with inspiring her to envision the innovative comic book as her senior project.
Beyond graduation, Helmy seeks to battle the stigma surrounding mental health, which can be paralyzing for any young adult — perhaps even more so in the Middle East. “Here in the Middle East, it’s harder,” she said, “as young adults feel scared and uncomfortable talking about mental health or even thinking of seeking help, and even if they did, it is not easy to talk to their parents about such a topic.” Khamsa w Rage’ therefore targets both young people who may need help and the community, who needs to recognize the signs and respond with empathy, support and knowledge. According to Helmy, “the comic book tackles both ends, the depressed [person] and [their] surrounding environment, enabling readers to help others and themselves.”
In a full-circle moment, Helmy was able to share her work with the University that inspired and equipped her to create it. During AUC’s Mental Health Week in October, Helmy’s characters and illustrations were posted across campus and online, attracting interest to her art and the powerful message behind it. Her project was spotlighted by AUC's Department of the Arts in collaboration with the Office of Student Life with the goal of bridging the gap between the arts and AUC initiatives.
"What is astonishing about Haidy's work is her ability to visualize every mental illness as a dynamic character with certain characteristics," said Amena El Defrawy, senior specialist for Educational Outreach at AUC's Department of the Arts. "This helps people visualize the characters and create stronger connections with mental health."
Helmy’s hope for Khamsa w Rage’ is simultaneously simple and ambitious: helping people to see themselves more clearly and to look more closely at those around them. “That’s what I wish this project can achieve,” she expressed, “to reach others and to help them and the community to talk about depression and other mental health topics. To notice the signs and seek help or help others.”
“All the world’s a stage,”- Shakespeare (As You Like It)
What is the world, but a stage? Jillian Campana, professor of theatre and associate dean for undergraduate studies at the School of Humanities and Social Sciences, will explore the relationship between art and life during “invisible theatre” performances at COP27.
The play, titled It's Just One Bag, involves AUC student actors who will perform a conversation in conference exhibit rooms in which they argue about single-use plastic bags and their effect on Egypt’s environment. The interactive performance will ask the audience to examine why people choose to use single-use plastic instead of sustainable options and what impact these decisions have on their community.
Invisible theater scripts are written using a hybrid form of traditional playwriting and improvisation. “We will have a few rehearsals on campus to challenge the actors to adjust their responses according to how spectators engage,” Campana says. “This type of theatre demands training in improvisation and deep research into the subject matter.”
The students will disguise the fact that their conversation is staged, leading the audience to perceive it as a real event. “Invisible theatre seeks to reach smaller audiences but to make a bigger impact with those small groups,” Campana explains. “When participants do not know they are seeing a rehearsed performance piece, they are more apt to engage with the dialog and share their own thoughts. Invisible theatre capitalizes on this by demanding audience participation.”
Around 43% of plastic waste in the Mediterranean comes from Egypt, much of which is single-use plastic. By making the audience an active participant in the art, It's Just One Bag will emphasize the importance of individual autonomy. Invisible theatre hinges on audience engagement, which the student actors are trained to encourage.
“Many people think only large corporations and governments can help work toward solutions, but the truth is, if someone is not part of a solution, they are part of the problem,” says Campana. “And when people feel they are not part of the conversation and actively helping with the issue, they tend to ignore it. The more everyday citizens feel involved in helping with this issue, the more they will begin to make other changes. Big solutions take both large and small steps and the involvement of everyone.”